Summary:
Starred Review. Profound loss, desolation and rebuilding are
the literal and metaphoric themes of Michaels's exquisite
second novel (after
Fugitive Pieces). Avery Escher is a Canadian engineer
recently moved to a houseboat on the Nile with his new wife,
Jean, in 1964. Avery's part of a team of engineers trying to
salvage Abu Simbel, which is about to be flooded by the new
Aswan dam. His wife, Jean, meanwhile, carries with her
childhood memories of flooded villages and the heavy absence of
her mother, who died when she was young. Now, the sight of the
entire Nubian nation being evacuated from their native land
before it's flooded affects both Avery and Jean intensely.
Jean's pregnancy seems a possible redemption, but their
daughter is stillborn, and Jean falls into despair, shunning
the former intimacy of her marriage. When the couple returns to
Canada, they set up separate lives and another man enters the
picture. Michaels is especially impressive at making a rundown
of construction materials or the contents of a market as
evocative as the shared moments between two young lovers. A
tender love story set against an intriguing bit of history is
handled with uncommon skill.
(May)
Anne Michaels has published several acclaimed poetry
collections, including The Weight of Oranges and Miner’s
Pond. Her background as a poet shines through in The Winter
Vault, which awed critics with its many elegant, vibrant, and
luminous passages and Michaels’s endless curiosity about
science, engineering, and architecture. Unfortunately, many of
these same critics were conflicted in their overall reviews:
they reluctantly felt hampered by rolling monologues, pedantic
segments, uninspiring characters, and an awkward story
structure. The San Francisco Chronicle even remarked:
“[T]hese long recitations of memory and conjecture, while
exquisite, grow exhausting.” Overall, critics cited this
latest from Michaels as a beautiful, important novel, but they
were skeptical of its widespread appeal.
From Publishers Weekly
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