Summary:
Amazon Best Books of the Month, May 2011:
Steve Earle's heartbreaking debut novel features a morphine
addict who performs illegal abortions, a young Mexican girl
with mysterious healing powers, the ghost of Hank Williams, and
a host of other more or less charismatic misfits. Set in San
Antonio around the time of JFK’s assassination, and told
with an equal mix of sympathy and violent detail, the story
maintains a delicate balance of many such would-be opposing
forces: Catholicism and "hoodoo," addiction and redemption,
brutal reality and magical realism. A first novel this
compelling from any author would be cause for celebration, but
Earle is also a musician (the GRAMMY®-winning albums
Washington Square Serenade and
Townes), actor (_The Wire_), and activist, and in this
context the book is even more of a watershed accomplishment.
I'll Never Get Out of This World Alive is decidedly
not for the faint of art, but adventuresome fiction readers
will find much to love in its shocking, tender depths. --_Jason
Kirk_ "Earle (a hell of a songwriter himself) has written
a deft, big-spirited novel about sin, faith,
redemption, and the family of man." --_Entertainment Weekly_
"Earle draws on the rough-and-tumble tenderness in his music to
create
a witty, heartfelt story of hope, forgiveness, and
redemption." --_Booklist_ "In this spruce debut
novel...hard-core troubadour Earle ponders miracles, morphine
and mortality in 1963 San Antonio... With its Charles Portis
vibe and the author's immense cred as a musician and actor,
this should have no problem finding the wide audience it
deserves." --_Publishers Weekly_ "A thematically ambitious
debut novel that draws from the writer's experience, yet isn't
simply a memoir in the guise of fiction...richly imagined..."
--_Kirkus Reviews_, starred "Steve Earle brings to his prose
the same authenticity, poetic spirit
and cinematic energy he projects in his music.
I’ll Never Get Out of This World Alive is like a
dream you can't shake, offering beauty and
remorse, redemption in spades." —Patti
Smith ". . . a doctor, a Mexican girl, an Irish priest, the
ghost of Hank Williams, and JFK the day before he dies. This
subtle and dramatic book is the work of a brilliant songwriter
who has moved from song to orchestral ballad with astonishing
ease." —Michael Ondaatje "A rich, raw mix of
American myth and hard social reality, of faith and doubt,
always firmly rooted in a strong sense of character."
—Charles Frazier "Steve Earle writes like a shimmering
neon angel." —Kinky Friedman "Earle has created a
potent blend of realism and mysticism in this compelling,
morally complex story of troubled souls striving for a last
chance at redemption. Musician, actor, and now
novelist—is there another artist in America with such
wide-ranging talent?" —Ron Rash "The characters are
unforgettable, and the plot moves like a fast train. A
fantastic mixture of hard reality and dark imagination."
—Thomas Cobb "Raw, honest and unafraid,
this novel veers in and out of the lives of its many
memorable characters with flawless pitch. Earle has given us
dozens of remarkable songs, he has given us a dazzling
collection of short stories, and now here's his first novel, a
doozy from a great American storyteller." —Tom Franklin
"A haunting and haunted bookend to Irving’s
Cider House Rules. Gritty and transcendent, Earle has
successfully created his own potion of Texas, twang, and
dope-tinged magic-realism."
Amazon.com Review
Review
—Alice Randall "If Jesus were to return tomorrow to
twenty-first-century America, and do some street preaching on
the gritty South Presa Strip of San Antonio, he’d love
Earle’s magnificently human, big-hearted drifters."
—Howard Frank Mosher "Colorful, cool, and
downright gripping." —Robert Earl Keen "Reads like the
best of Steve Earle’s story songs, which means real good.
The tale of a more charmingly haunted,
trying-to-do-the-right-thing dope fiend you won’t easily
find." —Mark Jacobson "The best book I've read
since
The Road. As much or more than any other artist of his
generation Steve Earle rises to the call, culturally and
politically, traditionally in folk and country and rock music
and what he’s added there, and with acting and writing
for theater, and now with all the literary forms crescendoing
in this beautiful novel. He just keeps stepping up." —R.
B. Morris "Steve Earle astonishes us yet again. Country Rock's
outlaw legend brings the ghost of Hank Williams to life
in a gloriously gritty first novel that soars like a song. And
echoes in the heart." —Terry Bisson
"A mighty fine piece of storytelling." —Madison Smartt
Bell